Ana Locking Fall/Winter 2011-2012

Giuliano Fujiwara Fall / Winter 2011 Footwear

Giuliano Fujiwara is far from dull, as this look at what he has planned for his fall / winter 2011 footwear line shows. A daring set of shoes that exhibit an avant-garde approach to mens shoes, we’re loving the blue lace-ups with fringe accessory and rocking wedge sole. If there’s a mad genius in the world of shoes, Fujiwara’s it.

Salvatore Ferragamo Fall/Winter 2011-2012

Peeking through the seams of Salvatore Ferragamo’s latest outing was a nod to the easy cool of the 70′s and a desire to show that menswear can be both masculine and remarkably soft with warm sentiments. Embracing a relaxed pacing of separates and outerwear, fall’s collection boasted dark rich hues of autumn, contrasted against sensational flesh tones. Resonating a refined luxury, carried off with little to no effort, the range quickly turned to a lifestyle, gently touching upon western and militaristic influences. From strong tailored overcoats and suede trousers to buttery soft leather, Salvatore Ferragamo excelled in paying compliments to the heart of their man–robust, personal and adaptive.

Tim Banks review

At Salvatore Ferragamo, Massimiliano Giornetti opened with neutral creams and winter whites, but it was a red herring of sorts. Over the course of his collection, out marched a series of colorful suits—full tone-on-tone looks, in fact, in penny-bright copper, bottle green, and oceanic teal. The driving spirit was the seventies: the slightly boot-cut three-piece suits, acres of lapel, and all the suede. The soundtrack cued up the Doors and Lou Reed. "What I really want to tell is a story of a sensual man," Giornetti said at his studio the day before the show. Sensual it was—sometimes too much so. A few overly literal looks would have been best left back in the seventies. That said, swagger is emerging as this season's Milanese have-to-have, and at Ferragamo it was even built into the shoes: heavy-soled horse-leather boots crisscrossed with buckled straps. "Making the sole heavier is really making the guys walk with more strength and energy in the show," Giornetti explained. Let's say it: They strut.


source: Style.com

Burberry Prorsum Fall/Winter 2011-2012 Menswear

Approaching the fall/winter 2011-2012 season with endless color and exaggerated proportions, Burberry Chief Creative Officer Christopher Bailey looked to a coat for all seasons. Creating his very own weather boy, Bailey’s outerwear stole the show as usual. Embracing the unexpected, the 60′s provided the inspiration for slick raincoats, quilted finishes and a rainbow of checks. Gathering pleats and reworking tweed, Bailey once again delivered an easily cool showing for a timeless label.

Tim Blanks review

There is, in case you haven't noticed, a royal wedding about to go down in London, so it was tempting to extract regal references from Christopher Bailey's latest collection for the most heritage-based of all English fashion companies. The neat little coats were the sort of thing young princes might have sported in days gone by, and the ermine-look fur trim had obvious royal connotations, even it was in fact something called "jaguar mink." But the real backstory was both bigger—and smaller. Small first. In the bottomless Burberry archives that are such an inspiration to him, Bailey found an ad campaign from the early sixties where every single image was photographed in different weather conditions. And that—cue the big picture—instantly led him along to the current, utterly ga-ga global weather situation.

Bailey is nothing if not focused. He decided on a coat for all seasons as his theme for Fall 2011, and that's exactly what he offered. There were myriad accompanying permutations of skinny pants, suits, and knitwear that was lacquered or cable knit in combo with furry doeskin. But the Main Event was The Coat in weights that were variously suitable for rain or wind or snow. Here's testament to focus—just as with Bailey's aviator jacket collection last Fall, almost every single coat was an object of lust, from the buffalo-check biggie that opened the show to the "jaguar mink" coat that closed it. Bailey used color astutely—an orange duffel, a pea-green military coat—but he also nailed subdued city camels and tweeds (fur-collared for luxe). And he closed his show with a full-on catwalk rainstorm, courtesy of his special-effects team. The only other designer who dared corral the elements was Alexander McQueen. In his own, much more subtle way, Bailey is as daring.

The kicker for the whole event is that every coat is available on Burberry.com until January 23. "Personalizing technology" is Bailey's game plan. "It makes the whole world smaller, more intimate," he said after the show. Sure, it's a spur to sales, but it goes beyond that; Bailey's acknowledgement of the universality of what he's doing is as timely as the inescapability of the climactic conditions that inspired his latest work.

Source: Style.com

Dolce & Gabbana Fall/Winter 2011-2012 - RED LOOKS

Embracing fiery red and rich furs for their fall/winter 2011-2012 collection, Dolce & Gabbana infused their prized Italian machismo with a youthful zest. Shaking up their usual casting with a variety of faces, the designing duo put on display a myriad of influences. From the classic musical styling of Bryan Ferry to the label’s ongoing fascination with the working man or a spunky take on tomorrow’s scholar, Dolce & Gabbana impressed with velvet, color and an endless amount of charm. Rounding out the collection with pinstripes, braces and wingtips, the label put a cool new spin on the marriage of old and new style motifs.

 Click to view Dolce & Gabbana Fall/Winter 2011-2012 Menswear Collection

Dolce & Gabbana Fall/Winter 2011-2012 Menswear

Embracing fiery red and rich furs for their fall/winter 2011-2012 collection, Dolce & Gabbana infused their prized Italian machismo with a youthful zest. Shaking up their usual casting with a variety of faces, the designing duo put on display a myriad of influences. From the classic musical styling of Bryan Ferry to the label’s ongoing fascination with the working man or a spunky take on tomorrow’s scholar, Dolce & Gabbana impressed with velvet, color and an endless amount of charm. Rounding out the collection with pinstripes, braces and wingtips, the label put a cool new spin on the marriage of old and new style motifs.

Click to view Dolce & Gabbana Fla/Winter 2011-2011 RED LOOKS

fur jackets....

Tim Blanks review

There was a brilliant Dries Van Noten show some years back that celebrated Bryan Ferry's early-seventies leopard-clad glamness, but his subsequent career as rock's Most Elegant Man has been a significantly under-exploited inspiration in contemporary menswear. Until today, that is, when Domenico Dolce and Stefano Gabbana made him the launchpad for their latest collection. Ferry's record covers were all over the mood board, his music was all over the show, and there he was on the seasonal "icon" T-shirt. It seemed entirely appropriate, then, that the man himself was front-row center. But the show's theme, Sartoria Eccentrica, actually had much less to do with Ferry's own classic style than the designers' re-tailoring of anything classic, starting at Savile Row, for a much younger audience.

The singer's taste for West End girls is well-documented—the beauteous Amanda Sheppard was at his side today. The clothes on the runway, though, were better suited to East End boys. Low-rise, multi-pocketed pants were slung off skinny suspenders. One model sported Freddy Krueger stripes and a trilby casually tossed back on his head. There was a spiffy edge to a checked, fitted, double-breasted jacket, while cropped, double-vented jackets and those pegged, low-slung pants created a boxy, bubble-butted silhouette that added beef to the already buff models. Add that to the chunky, bovver-ready footwear and these boys were a bit of rough fighters, not lovers. But wasn't Bryan Ferry famously a slave to love?

Domenico and Stefano threw the lovers a bone with a couple of pavé-sequined jackets in pink and black, then they closed the show with their own quintessential march past of black velvet jackets and distressed Dolce denims. Call it glam for a brash, butch new age. As for Ferry's more rarified brand of contemporary glamour? That remains to be explored another day.

source: Style.com/

Ermenegildo Zegna Fall/Winter 2011-2012

Layered with tender love and care, Ermenegildo Zegna’s man made a sound impression with the house’s signature strength in craftsmanship. Piecing together tweed and houndstooth, tradition met the combative nature of the future with fitted looks, complete with belted holsters. No doubt outfitting fall’s hero, orange, red and burgundy added a pleasant touch to fantastically belted numbers that felt altogether masculine, while resonating a soft quality to be admired.

My favorite looks :

Tim Blanks review

To inaugurate its second century, Ermenegildo Zegna looked East, to China, the market that is likely to dominate the company's future. And, in concert with such a prospect, the presentation was a high-tech green-screen extravaganza, orchestrated by James Lima, a visual consultant on Avatar.

"In the Mood for China," read the on-screen pre-show title. But the soundtrack was the saturated melancholy of Kar Wai Wong's In the Mood for Love, and it was the romance of the past that dominated the collection. Like Marco Polo, the first Italian to make it to Asia seven centuries ago, the new Zegna man was a traveler in search of the exotic.

The visual cue for the collection was a centuries-old scroll that depicts life in China during the period when Polo arrived. Its ornate, gilded design was duplicated on shirts, scarves, lapels, jacket linings, the runway, and even the jacquard that covered the cushions in the show space. And the Zegna clothes were a complement in the sense that they evoked the wardrobe of the kind of explorer who might devote his life to the discovery of such a scroll. It wasn't only the obvious Indiana Jones things, like the belted jackets or the footwear or the leather pouches or the rugged outerwear. It was also the feeling of casual connoisseurship that underpinned the luscious tweeds, checks, and leathers.

An evening finale integrated east and west, with Chinese red and gold accenting tuxedos. Again, the mood was romantic, more Shanghai in the 1930's than the 2010's. But surely that's the spirit fashion should bring to the juggernaut collision of Occident and Orient.

source: Style.com

Trussardi 1911 Fall/Winter 2011-2012

This is the first collection of season Fall/Winter 2011/2012 and i like very very much!!! In this collection meet more black ,white ,brown and leather...



My favorite looks:

Tim Blanks review

"Dante Trussardi went into business 100 years ago making leather gloves, and his skill with skins was such that he soon counted the crowned heads (and hands) of Europe as clients. Trussardi 1911 is still very much a family affair—Dante's great-granddaughter Beatrice is now in charge—but it was current creative director Milan Vukmirovic who decided to mark the centenary with a show that celebrated leather in every possible permutation, plus some that seemed impossible. Take a parka in a camo-printed leather so fine it was almost as translucent as nylon. Or a white cotton tee that was actually chamois leather. In fact, there was nothing in the collection that wasn't leather, from the corduroy-look poncho to the athleticwear to the black suede tux with the satin-look lapel. The parade of head-to-toe hides succeeded best as a salute to a century of Trussardi's extraordinary expertise, rather than as an incitement to don a second skin. Vukmirovic himself saw it as a punctuation point, cleaning the slate for the future. The head-scratchers like the paper-thin leather camo were eye-catching, but reassuringly, it was the more "ordinary" pieces that pointed to that future. Cue a parka in glistening black pony.

The Trussardi show was billed as the Main Event at Pitti. The evening celebrated not only fashion, but also the company's commitment to the best of everything else Italy has to offer. The Stazione Leopolda, the show venue, hosted an exhibition of quite startling works from the Fondazione Nicola Trussardi's collection of contemporary art. And Andrea Berton, the chef at the Trussardis' two-Michelin-starred restaurant in Milan, prepared an anniversary dinner after the show. A little fashion, a little art, a little food, all against the high Renaissance backdrop of Florence…Pitti it's over so soon."


source: Style